In collaboration with Tim Tsang we created a digitally rendered actress who auditions for the role of Bea in AFTERMATH, a play about a family in a hellscape. WIthin the installation, the actress's audition loops on a monitor adjacent to a monument to Bea’s alter-ego: that of a knight astride a prancing horse. Made of clay, paper and straw, the monument is designed to return to the earth as decomposing matter; a rustic effigy to a deathless actress fumbling her lines.Music and soundscore for Monument to an Audition composed by Peter Hernandez (aka Julius Smack). Support for this project was provided by the David Shneer New Yiddish Cultural Grant and by Yiddishkayt